IGlue and finishes settle and microcrack as they outgas volatiles
You don't want to be around when I outgas volatiles.
IGlue and finishes settle and microcrack as they outgas volatiles
Part of break in is electrons learning their way. The molecules are like taxi drivers, when they first start out, they just go all over the place, but when they're more experienced, they take off before you even belt yourself in, and 3 times out of 4, they're already heading the right direction. Maybe more, maybe like 7/8.
Oh Shazbutt. I thought it was something like that. I'll remember that for future reference. Until then.It's because they're guided by the inter-dimensional intelligent beings I talked about in my first post in the thread.
"Hey, electrons, the magic is this way!"
"Oh really? How do you know?"
"Because I'm an intelligent being living in the Earth Quantum World, but I'm from another dimension, and I was personally trained by Paul R. Smith."
"Who's Paul R. Smith?"
"Some dude who builds guitars and offers guidance to those of us who are mysterious Tone Beings."
"What other dimension are you from, and why should I think a being from another dimension knows anything more than I do?"
"I am from Dimension..uh...X. Yeah, that's the one. And uh...I know more than you do because...erm....because I'm an inter-dimensional being. And because this is Quantum Physics stuff, it doesn't have to make sense. So obey me."
"OK."
Sergio, care to comment?
Did you just did you just slip the Midi-chlorian (of Star Wars Force lore), with a porn twist, in as the reason for PRS Magic? Uuuuuh...could be!"Conclusion: Guitars are inhabited by intelligent disembodied beings from another dimension, that are the size of quantum particles. These inter-dimensional beings learn the sounds the player prefers, and cause the wood to respond in certain ways; they do this because the vibrations caused by the guitar being played satisfy their missing sexual feelings.
And may the "Farce" be with you.It's because they're guided by the inter-dimensional intelligent beings I talked about in my first post in the thread.
"Hey, electrons, the magic is this way!"
"Oh really? How do you know?"
"Because I'm an intelligent being living in the Earth Quantum World, but I'm from another dimension, and I was personally trained by Paul R. Smith."
"Who's Paul R. Smith?"
"Some dude who builds guitars and offers guidance to those of us who are mysterious Tone Beings."
"What other dimension are you from, and why should I think a being from another dimension knows anything more than I do?"
"I am from Dimension..uh...X. Yeah, that's the one. And uh...I know more than you do because...erm....because I'm an inter-dimensional being. And because this is Quantum Physics stuff, it doesn't have to make sense. So obey me."
"OK."
Did you just did you just slip the Midi-chlorian (of Star Wars Force lore), with a porn twist, in as the reason for PRS Magic? Uuuuuh...could be!![]()
I'd saved a quote from an article I read some years ago while researching DGT's and the V12 finish...(don't recall the exact article though...)
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They call that mojo. And I agree with that assessment.There is something to it. What I noticed is that the old PRSi that I trade for, the ones that have been played the most, sound the best. The ones that were case queens play well but don't sound as good. Now someone could say that they were case queens because they didn't sound so good, but I think it's the other way around. The played ones sound so good because they have been played.
I've turned the truss rod a quarter turn and had the guitar feel like a different animal. Does that kinda sorta count?
+1That was my first thought. How the guitar is setup has a profound effect on how it sounds.