A 2024 return from MA Pete - Quadruple NGD with a plot twist on the scale length...

Welcome back Pete. So sorry to hear about your brother but glad to hear the 'tincture of time' is working and some of your old interest is returning.

Great looking gear and bet they sound amazing. I totally agree with you on binding; long ago it used to look classy but now I actually prefer seeing the wood as on my 245's and Stripped 58. Maybe the only thing that could look better would be the wood strip binding on some of the PS's.
 
So there seems to be a lot of comments about the Private Stock Custom 24 - so I better share the story and details of that! :)

On Saturday, December 23rd, I set out for the Chicago Music Exchange to trade in my 2 remaining guitars (a Knaggs Kenai and a PRS Silver Sky) for a guitar or two to focus on getting back into playing. That was only a couple of days after I picked up the Knaggs for the first time in 6 months or so, and I was pleasantly surprised that for the first time in three years it felt good and was fun again.

I got there and I chatted for a while with David and also Jason (who is sort of the PRS Specialist there), while waiting for the room there that the MT15 was already set up in to become available. We started pulling out guitars for me to try, a gorgeous DC 594 Private Stock, a different Custom 24 Private stock with a nice brown finish, and I was going to move on from there and try out some Core guitars, DC and SC 594's and some 25" McCarty's (which I never got to).

Jason suggested playing the Laguna Glow PS Custom 24, he said it just came in the previous week or so, and it was pretty special. I said it really wasn't my cup of tea, with the weird looking Burl top and the flashy Laguna Glow finish and bright colored Birds. He pushed me a little, saying "okay, I hear you, but you should check it out". So we pulled it down from the top row, and I played it acoustically. It did indeed ring and resonate in a special way, so I said, "okay, I will try it".

So I went into the room and started playing, focusing on the PS DC 594 and the other more vintage finished maple topped PS Custom 24. They were both really great. I didn't connect with the scale length of the DC 594, I preferred the 25" scale length of the Custom 24. David A came into the demo room to check on me, and I played both the DC 594 and the other Custom 24 for him. We agreed they were both great. The Custom 24 had a Maple Neck and an Ebony Board, and while it played and sounded great, there was something about the tone that was a little off. I have not at all done well in the past in straying from the "traditional" wood formula of Mahogany Body and Neck and Rosewood Fingerboard. Many many times I have bought guitars that had Korina Bodies and/or Necks, Maple and Rosewood Necks on PRS Wood Library and Private Stock guitars, and initially really liked them because they were a little different in a refreshing way, but almost always I grew tired of them in the not too distant future because they didn't have that tone in my head.

So then David asked "did you try the Laguna one yet"? I said no, and plugged it in. We were talking, and I hit a few open chords with a decent amount of gain, and we both stopped in mid sentence in disbelief and surprise on how good this guitar sounded, it was on another level compared to the other two. It sounded MASSIVE! How on earth that skinny bodied Custom 24 can sound like this, it was a crazy moment. I went on to play some rock riffs (Joe Bonamassa's version of Just Got Paid, which I played for years in my band, so I hadn't forgotten it) and some lead noodling, and it just sounded amazing at everything. It was quite a special experience to share with another guitar guy, I don't think I will ever forget it.

I ended up buying it on the spot, and throwing in the MT15 for good measure. Also I did check out the MK Sig and bought that too, sort of as an afterthought. I decided to just get the Custom 24 as far as the traditional 25" PRS Guitars, and not spend the time to check out more Core guitars, I was kind of mentally exhausted by then, and smitten with the Custom 24.

So that is the story of the Custom 24. I had seen it on the website prior to showing up, and it didn't make the shortlist to check out. When I arrived, I didn't love it hanging on the wall, and didn't want to check it out. I told Jason there that I owed him big time for pushing me to check it out.

Also of note, like 10 minutes after I committed to buying it, before I had paid, someone called and said they wanted to buy it, right at that moment - like take my credit card now and ship it to me today. Had I showed up later in the day, or if the room was not available when I first got there (which is what caused me to chat with David and Jason), I wouldn't have played it, and it would have been sold.

That all made it clear to me that it was "meant to be" for that special guitar to make it into my hands, just a couple of days after the "magic" coming back for me for playing guitar after three years off. It also changed my perspective a bit on the importance of going to a place in person to play guitars a see what speaks to you, versus shopping on the internet and hoping for the best.

Also cool that it was December 23rd. Merry Christmas to me! Ha-ha. ;)

Pics and more on the guitar shortly. The background story needed to be told first...
What a special day, Pete. So glad you found a magical guitar, and shared your story here.
 
Here are some close up pics of the Custom 24:

0CbRs6L.jpg


Bkjjqzg.jpg


7kbGejh.jpg


zYI8lPm.jpg


lPPBLKm.jpg


1o49vLH.jpg


hMMkcCd.jpg


The top is "Poplar Burl". Most often I believe they put filler in the wood on the Burl tops, to smooth them out. That was intentionally not done for this guitar. I think that gives it a very special and cool vibe, and might influence the tone and resonance.

The finish is a thin Satin Nitro finish. I had a sort of Semi-Gloss finish on my beloved SC 594 Prototype that was amazing, but I was never able to get the PRS Private Stock team to recreate that on a subsequent build, it was always sort of Gloss or Satin. I had a previous Private Stock I did Satin on, an SC 594 Semi-Hollow. I didn't love it. But on this guitar, it feels amazing!

The holes in the wood on the top combined with the Satin finish make it a very special feeling guitar to play, You feel it on the top while playing, both on the palm side of your hand above the sixth string, and with the middle, ring and pinky fingers as they contact the top below the first string. The combination of the edges of the holes and the smoothness on the satin finish is a unique and cool feeling. The feel of the smoothness of the Satin neck is amazing. The Satin finish matches very well with the look and vibe of this guitar, with that crazy Burl top. I don't think I would like it as much if it were a fancy Maple top.

The whole thing as a sum of the parts has a stellar resonance to it. You can feel the heart of that coming from the vibrations from the Trem springs, particularly when you strike the wound strings on the hard side, but then there are sympathetic vibrations and resonance that move around throughout the body and neck, the guitar feels like it is alive in your hands - much like my previous favorite guitar did, the SC 594 prototype. In this guitar even more so it feels alive, I think because of the nuance of the feedback of the springs to the wood and then a loop of evolving resonance and bloom that happens between the two. Quite magical!

It is very powerful, huge. Fairly balanced across the spectrum, if anything a bit heavy on the bassy side, which can most often be reeled in a bit from the amp settings. But never to the point where it gets muddy, it is still very clear. (You have to be more cautious on the Superplex than the MT15, which is an attribute of a JTM45/100 circuit to begin with.)

The looks have grown on me a lot, as I have experienced it more. I like the Burled top a lot, and it sort of tones down the visual brightness of the Laguna Glow finish. I significantly prefer the regular birds with outlines in a Private Stock versus these J-Birds, but I am getting used to them here on this guitar. The grain in both the Cocobolo Board and the back of the Mahogany neck is beautiful.

A very special instrument!

More on the other two later.
 
Here are some close up pics of the Custom 24:

0CbRs6L.jpg


Bkjjqzg.jpg


7kbGejh.jpg


zYI8lPm.jpg


lPPBLKm.jpg


1o49vLH.jpg


hMMkcCd.jpg


The top is "Poplar Burl". Most often I believe they put filler in the wood on the Burl tops, to smooth them out. That was intentionally not done for this guitar. I think that gives it a very special and cool vibe, and might influence the tone and resonance.

The finish is a thin Satin Nitro finish. I had a sort of Semi-Gloss finish on my beloved SC 594 Prototype that was amazing, but I was never able to get the PRS Private Stock team to recreate that on a subsequent build, it was always sort of Gloss or Satin. I had a previous Private Stock I did Satin on, an SC 594 Semi-Hollow. I didn't love it. But on this guitar, it feels amazing!

The holes in the wood on the top combined with the Satin finish make it a very special feeling guitar to play, You feel it on the top while playing, both on the palm side of your hand above the sixth string, and with the middle, ring and pinky fingers as they contact the top below the first string. The combination of the edges of the holes and the smoothness on the satin finish is a unique and cool feeling. The feel of the smoothness of the Satin neck is amazing. The Satin finish matches very well with the look and vibe of this guitar, with that crazy Burl top. I don't think I would like it as much if it were a fancy Maple top.

The whole thing as a sum of the parts has a stellar resonance to it. You can feel the heart of that coming from the vibrations from the Trem springs, particularly when you strike the wound strings on the hard side, but then there are sympathetic vibrations and resonance that move around throughout the body and neck, the guitar feels like it is alive in your hands - much like my previous favorite guitar did, the SC 594 prototype. In this guitar even more so it feels alive, I think because of the nuance of the feedback of the springs to the wood and then a loop of evolving resonance and bloom that happens between the two. Quite magical!

It is very powerful, huge. Fairly balanced across the spectrum, if anything a bit heavy on the bassy side, which can most often be reeled in a bit from the amp settings. But never to the point where it gets muddy, it is still very clear. (You have to be more cautious on the Superplex than the MT15, which is an attribute of a JTM45/100 circuit to begin with.)

The looks have grown on me a lot, as I have experienced it more. I like the Burled top a lot, and it sort of tones down the visual brightness of the Laguna Glow finish. I significantly prefer the regular birds with outlines in a Private Stock versus these J-Birds, but I am getting used to them here on this guitar. The grain in both the Cocobolo Board and the back of the Mahogany neck is beautiful.

A very special instrument!

More on the other two later.
That's INSANE!
 
Great pix! 58/15's in there, yes? My PS CU24 has 58/15's and it is McCarty thickness body. The combination gives it a deep growl that is menacing! I did have a great session last night though with my core CU24 and it was 3.5 hours of smiles as I cycled through old presets on my Axe FXIII! Great that you have found a new set of strings to get you back on the boat!! Enjoy and thanks for the detailed write ups ;~))
 
Hey Pete, welcome back! Condolences to you on why you had to re-group, but I totally get it.

Your previous 594 sprees had certainly been inspiring to me - your enthusiasm for guitars is very contagious! So these new explorations will be similarly very interesting to follow along with.

And that PS CU24 with the burl top is very lovely - great choice, and glad you hear it sounds so awesome, and it isn't all just sexy-looking wood!
 
Here are some close up pics of the Custom 24:

0CbRs6L.jpg


Bkjjqzg.jpg


7kbGejh.jpg


zYI8lPm.jpg


lPPBLKm.jpg


1o49vLH.jpg


hMMkcCd.jpg


The top is "Poplar Burl". Most often I believe they put filler in the wood on the Burl tops, to smooth them out. That was intentionally not done for this guitar. I think that gives it a very special and cool vibe, and might influence the tone and resonance.

The finish is a thin Satin Nitro finish. I had a sort of Semi-Gloss finish on my beloved SC 594 Prototype that was amazing, but I was never able to get the PRS Private Stock team to recreate that on a subsequent build, it was always sort of Gloss or Satin. I had a previous Private Stock I did Satin on, an SC 594 Semi-Hollow. I didn't love it. But on this guitar, it feels amazing!

The holes in the wood on the top combined with the Satin finish make it a very special feeling guitar to play, You feel it on the top while playing, both on the palm side of your hand above the sixth string, and with the middle, ring and pinky fingers as they contact the top below the first string. The combination of the edges of the holes and the smoothness on the satin finish is a unique and cool feeling. The feel of the smoothness of the Satin neck is amazing. The Satin finish matches very well with the look and vibe of this guitar, with that crazy Burl top. I don't think I would like it as much if it were a fancy Maple top.

The whole thing as a sum of the parts has a stellar resonance to it. You can feel the heart of that coming from the vibrations from the Trem springs, particularly when you strike the wound strings on the hard side, but then there are sympathetic vibrations and resonance that move around throughout the body and neck, the guitar feels like it is alive in your hands - much like my previous favorite guitar did, the SC 594 prototype. In this guitar even more so it feels alive, I think because of the nuance of the feedback of the springs to the wood and then a loop of evolving resonance and bloom that happens between the two. Quite magical!

It is very powerful, huge. Fairly balanced across the spectrum, if anything a bit heavy on the bassy side, which can most often be reeled in a bit from the amp settings. But never to the point where it gets muddy, it is still very clear. (You have to be more cautious on the Superplex than the MT15, which is an attribute of a JTM45/100 circuit to begin with.)

The looks have grown on me a lot, as I have experienced it more. I like the Burled top a lot, and it sort of tones down the visual brightness of the Laguna Glow finish. I significantly prefer the regular birds with outlines in a Private Stock versus these J-Birds, but I am getting used to them here on this guitar. The grain in both the Cocobolo Board and the back of the Mahogany neck is beautiful.

A very special instrument!

More on the other two later.

And I’m spent ;)
 
Here are some close up pics of the Custom 24:

0CbRs6L.jpg


Bkjjqzg.jpg


7kbGejh.jpg


zYI8lPm.jpg


lPPBLKm.jpg


1o49vLH.jpg


hMMkcCd.jpg


The top is "Poplar Burl". Most often I believe they put filler in the wood on the Burl tops, to smooth them out. That was intentionally not done for this guitar. I think that gives it a very special and cool vibe, and might influence the tone and resonance.

The finish is a thin Satin Nitro finish. I had a sort of Semi-Gloss finish on my beloved SC 594 Prototype that was amazing, but I was never able to get the PRS Private Stock team to recreate that on a subsequent build, it was always sort of Gloss or Satin. I had a previous Private Stock I did Satin on, an SC 594 Semi-Hollow. I didn't love it. But on this guitar, it feels amazing!

The holes in the wood on the top combined with the Satin finish make it a very special feeling guitar to play, You feel it on the top while playing, both on the palm side of your hand above the sixth string, and with the middle, ring and pinky fingers as they contact the top below the first string. The combination of the edges of the holes and the smoothness on the satin finish is a unique and cool feeling. The feel of the smoothness of the Satin neck is amazing. The Satin finish matches very well with the look and vibe of this guitar, with that crazy Burl top. I don't think I would like it as much if it were a fancy Maple top.

The whole thing as a sum of the parts has a stellar resonance to it. You can feel the heart of that coming from the vibrations from the Trem springs, particularly when you strike the wound strings on the hard side, but then there are sympathetic vibrations and resonance that move around throughout the body and neck, the guitar feels like it is alive in your hands - much like my previous favorite guitar did, the SC 594 prototype. In this guitar even more so it feels alive, I think because of the nuance of the feedback of the springs to the wood and then a loop of evolving resonance and bloom that happens between the two. Quite magical!

It is very powerful, huge. Fairly balanced across the spectrum, if anything a bit heavy on the bassy side, which can most often be reeled in a bit from the amp settings. But never to the point where it gets muddy, it is still very clear. (You have to be more cautious on the Superplex than the MT15, which is an attribute of a JTM45/100 circuit to begin with.)

The looks have grown on me a lot, as I have experienced it more. I like the Burled top a lot, and it sort of tones down the visual brightness of the Laguna Glow finish. I significantly prefer the regular birds with outlines in a Private Stock versus these J-Birds, but I am getting used to them here on this guitar. The grain in both the Cocobolo Board and the back of the Mahogany neck is beautiful.

A very special instrument!

More on the other two later.
Spectacular.
 
I dig the McCarty. Welcome back Pete.

Thanks! I really dig the McCarty.

Do you guys remember that thread I had on Vintage Rocker, "A Chronicle of my PRS Adventure.."? It was 94 pages and 945 Posts long, and gave a pictorial history of the first 89 PRS Guitars I had owned, from 2008 to early 2017, including all the fun and madness with the gigs, the guitar trades with Howard Leese, etc. I had selfishly deleted that thread because I was embarrassed by the excess of it all, I regret that I did that now.

But I did save a copy of all 94 HTML pages for my own reference. I went through the first 20 or so pages of that recently, and came to the conclusion that this new McCarty is essentially the reference back for me to the many DC PRS Guitars I have loved so much over the years, particularly the Ted DC 245s, and the DC 594s.

A very high percentage of the Teds and the 594's had some sort of vintage Burst finish on them, so is a throwback to all of the great fun I had with those back in the day. (I find that is the way life works, as you get older you look back fondly at the glory days of yesteryear, and seek things to enjoy to connect back to those times.)

This one is about perfect for me in that it is the right amount of beautiful, a great 10-Top, but not a killer Private Stock sort of top by any means. More of a workhorse guitar versus Wall Art in that regard. It reminds me more of the Ted DC 245's than the 594's, with the single volume and tone and the PRS Stoptail.

The tone is quite good! In that vintage sort of way. The Custom 24 and the Tremonti are a little more "powerful" and modern, but this one is more so vintage as I think a PRS with 58/15 LT's is meant to be. Great for the vintage Rock and Blues tones. (Curiously enough, the Custom 24 also has 58/15 LT's in it, but somehow seems a little "bigger" and more powerful. Of course the Tremonti cannot directly be compared, that bridge pickup is a beast, 15-17K I believe.)

I also had two 25" McCarty's in 2020, one in this finish. I got turned onto them again by the Tim Pierce / Howard Leese 1959 LP / SC 594 comparison. Tim also played a 25" McCarty as an afterthought later in the video, and I was blown away by it. I thought it sounded every bit as good as the SC 594, if not better. I bought one, and then another - and that confirmed that notion, the 2020 McCarty's were just as good as the 2020 Core 594's (remember that Model 2020 was when they shifted to the Nitro finishes on the Core guitars). And at that point I found I was also preferring the 25" scale over the 594 scale. But I was still conflicted in that I had a few stellar SC 594's, and didn't think I had a choice for a 25" Singlecut. Because I was still a binding and neck carve snob at that time and didn't acknowledge the existence of the Tremonti model. :)

Here are some more pics of the McCarty:

2GF68gZ.jpg


XeJkYqO.jpg


GxJ7i2E.jpg


D19R9kt.jpg


bBVZWMF.jpg
 
Thanks! I really dig the McCarty.

Do you guys remember that thread I had on Vintage Rocker, "A Chronicle of my PRS Adventure.."? It was 94 pages and 945 Posts long, and gave a pictorial history of the first 89 PRS Guitars I had owned, from 2008 to early 2017, including all the fun and madness with the gigs, the guitar trades with Howard Leese, etc. I had selfishly deleted that thread because I was embarrassed by the excess of it all, I regret that I did that now.

But I did save a copy of all 94 HTML pages for my own reference. I went through the first 20 or so pages of that recently, and came to the conclusion that this new McCarty is essentially the reference back for me to the many DC PRS Guitars I have loved so much over the years, particularly the Ted DC 245s, and the DC 594s.

A very high percentage of the Teds and the 594's had some sort of vintage Burst finish on them, so is a throwback to all of the great fun I had with those back in the day. (I find that is the way life works, as you get older you look back fondly at the glory days of yesteryear, and seek things to enjoy to connect back to those times.)

This one is about perfect for me in that it is the right amount of beautiful, a great 10-Top, but not a killer Private Stock sort of top by any means. More of a workhorse guitar versus Wall Art in that regard. It reminds me more of the Ted DC 245's than the 594's, with the single volume and tone and the PRS Stoptail.

The tone is quite good! In that vintage sort of way. The Custom 24 and the Tremonti are a little more "powerful" and modern, but this one is more so vintage as I think a PRS with 58/15 LT's is meant to be. Great for the vintage Rock and Blues tones. (Curiously enough, the Custom 24 also has 58/15 LT's in it, but somehow seems a little "bigger" and more powerful. Of course the Tremonti cannot directly be compared, that bridge pickup is a beast, 15-17K I believe.)

I also had two 25" McCarty's in 2020, one in this finish. I got turned onto them again by the Tim Pierce / Howard Leese 1959 LP / SC 594 comparison. Tim also played a 25" McCarty as an afterthought later in the video, and I was blown away by it. I thought it sounded every bit as good as the SC 594, if not better. I bought one, and then another - and that confirmed that notion, the 2020 McCarty's were just as good as the 2020 Core 594's (remember that Model 2020 was when they shifted to the Nitro finishes on the Core guitars). And at that point I found I was also preferring the 25" scale over the 594 scale. But I was still conflicted in that I had a few stellar SC 594's, and didn't think I had a choice for a 25" Singlecut. Because I was still a binding and neck carve snob at that time and didn't acknowledge the existence of the Tremonti model. :)

Here are some more pics of the McCarty:

2GF68gZ.jpg


XeJkYqO.jpg


GxJ7i2E.jpg


D19R9kt.jpg


bBVZWMF.jpg
Tempted to call "dibs", but I know that could be dangerous!
 
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